25 another Vis. Com. - Experiential Design moving into 3D

 Session 3 of the Visual Communication Design intro' took us to  questions around the interaction between creative and their audience.

 

A Pollock work at Tate Modern

Questions that could be helpful included:

Who are you you (as the creative)?

What do you want to say?

What medium/mediums will you use?

What do you want to happen?

The issue of what collateral you have was also part of the consideration, how we judge BP is not the same as our views around an artist like Jackson Pollock. (it strikes me how Pollocks' wife has often been undervalued - I was really excite to see Lee Krasner's exhibition at The Barbican  in 2019).


A Lee Krasner work

Rod (course Tutor) shared with the class how Vis Students students had explored  the approach - using imaginative methods to create narratives - one student had worked with texts on dirty vans another had used scaffolding as a sculptural material. 

The rest of the day we worked with 3D to take our work and the topic further..

I had been working on a view of society as using surveillance methods to exercise some control over citizens to behave within  the accepted  norms that were in place. within the Utopia/Dystopia themes.

Part of my thinking was that the Church/organised Religion often works around ideas of us being observed and answerable to a 'higher' authority and that the confessional is part of this.

I made a model of a confessional with two collections of words that could be used by the 'sinner' and the 'Priest' - I found that the people who looked at it engaged with the idea - some talking about their own early experiences of confession and others answering some of the 'found texts'. 

Confessional & Questions




Pick a prompt




Some ideas of what can be spoken of.




I found that the way my experiments had gone gave some answers to the questions and believe for some  creative projects this sort of trial could be really of value.








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