Day 68 More investigating of FMP in 3D sculpture

 At this session I worked further on a Stonehenge sculpture piece, a model that I felt was in the style of  Christo working - using models ahead of what could be a major project.

Textures were used to represent stone .











Ands colour was used to help consider the emotion this might engender 



Next steps were made for the Shark/Hirst mould and I tried some experiments with  a mirror.

Ahead of cleaning

in the mould




Comments

Post a Comment

Popular posts from this blog

Day 15- Moving Image , more on Shooting and Editing and variables we can 'play' with

Image
  Another Camera-Person at work  On Friday it was day 2 of the  'Moving Image' and although we focused on shooting and editing we were also able to find out a little  about a renowned practitioner  Sam Taylor Wood who has a history of creating waves with her works which include those of 'Lookalikes' . The piece that Dr Pete alerted us to (and showed us some of) was The Last Century (2005) and he also provided a resource for us to use ( UbuWeb ) . The Last Century which we watched some of was a thought provoking staged  recreation where the central conceit we were invited to be a part of was that we were looking at a 'Freeze Frame' which was actually made up of people being as still as they could (rather than made via the use of technical wizardry). It confronts the staging used in moving image and reminds us of the Director's influence and the artificial nature of film which calls for us to suspend belief.    Like Steve ...
Read more

Day 11 - a bit of colour

Image
Colour is a complex matter, a science  as well as part of art. When we look at an area of colour it can be described as being made up of 3 variables  Light is a part of the electromagnetic spectrum that humans perceive (via Rods and Cones in their eyes) in a particular way. Numbers can be apportioned to give a defined colour via    Hue -  the attribute of a colour by virtue of which it is discernible as red, green, etc., and which is dependent on its dominant wavelength and independent of intensity or lightness Tone  - this  refers to the relative lightness or darkness of a colour. One colour can have an almost infinite number of different tones and  Saturation  refers to the intensity of a colour. This is different from hue,  Saturation is the strength of a surface colour, its degree of visual difference from neutral grey. paint behaves differently from light in mixing, the primary colours with paint are Red Blue and Yellow - mixing th...
Read more

Day 48 - Core day, The Creative Process including research and critical analysis along with 'Portfolio Sheets'

Image
  Jericho by Keifer (outside RA London) On Friday we also got the benefit of hearing from Heidi about how we could approach the presentation of our ideas and process for our two specialisms  looking at past students work and engaging with our Sketch book ideas. I found the chance to talk with another student about the ideas we had really useful and Michelle's suggestions have provided a fresh angle for me. During the morning we were also able to use some analytic skills to get more from works in the public sphere - First was Manet's Olympia. As a group of three we made notes of what we considered some points for discussion with other groups:- (I have put some of the points that we got feedback on in Blue) The Model's Gaze/Pose - the model was naked but looked at the viewer directly. -  This relates to Berger's views on the 'Gaze' and is part of why this painting from the 19th Century is considered part of early modernism. Race - There is a black maid who is in ...
Read more