31 More Ceramics - Ready to Glaze

 On Wednesday Robert presented us with our work from the previous week ready for us to apply Earthenware and Stoneware Glazes.

The Glazes are fired at different temperatures.

Typically Stoneware will be 1200 C and Earthenware at the lower temperature of about 1000C. 

Be interested to see how this Earthenware comes out 


And this one that's  a Stoneware Dystopian Mug. 




We also intervened with cups and saucers we'd brought in :- 



Cup and cracked chick decals

               

The saucer was distressed (by me)

Be very interesting to see how the items all look at next week's meet!


Next week we're going to produce more Dystopia (or even Utopia) my idea is an earthquake dmage prison cell - walls are coiled floor is slab ..




Comments

Post a Comment

Popular posts from this blog

The start days 1 and 2

Image
 This week I have started a course at CityLit London that's about Art and Design, the course runs for an academic year and is 3 days per week. CityLit is an institution that offers many opportunities for adult learning one of the big assets is the teaching which is conducted by people who have a real life history in the topics they teach in - I started the part 1 of the course pre pandemic and here is a link to a post from early 2020 On this website I will reflect on the learning and experience, what approaches were taken, feedback from the group  and the way I felt about various aspects of the topic. Monday  13th September 2021. The first session was Textiles and we looked at  a presentation on  Textiles and some of the artists working in this area - funnily enough I had visited a local Arts Trail at the weekend and seen and discussed with a participating artist a textile approach using a recycling perspective  as the raw material (sort of if I can see raw...
Read more

Day 11 - a bit of colour

Image
Colour is a complex matter, a science  as well as part of art. When we look at an area of colour it can be described as being made up of 3 variables  Light is a part of the electromagnetic spectrum that humans perceive (via Rods and Cones in their eyes) in a particular way. Numbers can be apportioned to give a defined colour via    Hue -  the attribute of a colour by virtue of which it is discernible as red, green, etc., and which is dependent on its dominant wavelength and independent of intensity or lightness Tone  - this  refers to the relative lightness or darkness of a colour. One colour can have an almost infinite number of different tones and  Saturation  refers to the intensity of a colour. This is different from hue,  Saturation is the strength of a surface colour, its degree of visual difference from neutral grey. paint behaves differently from light in mixing, the primary colours with paint are Red Blue and Yellow - mixing th...
Read more

18 -Last Friday, more Editing

Image
An image from Dresden Dynamo   Last week in the Moving image session we were shown a piece of work that was created in the days of 16mm (this film format is still around but less common these days)the work we saw was 'Dresden Dynamo ' by the experimental film maker Lis Rhodes and was made 1971-72. (More about Liz Rhodes here )  Liz explains the way the Sound track was created  and the reason for it's unpredictability and other-worldliness here. The image is read by an optical sound head and this is not the usual way (normally a distinct  separate sound track of audio/music would be recorded ) conversely the pattern and shapes in Liz's film correspond with the soundtrack so we see the sound and here the pictures. We also got a chance to see Berlin Horse by Malcolm Le Grice (with soundtrack by Brian Eno) - we were told that the film was colourised black and white (printed to add colour), the film includes found footage, superimposition and various distortions (in...
Read more