Tim's FAD

  A board game box cover The Hirst token  More Henge and LP covers LPs still exist Stones logo

 Jera described and presented about arriving at an idea and plan for me there's a challenge and I will ponder on what is workable, a pleasure (for me and an audience) and how I would wish to involve others. Easter  break will give the chance to arrive at a decision write the proposal in the assigned format 

 At this session I worked further on a Stonehenge sculpture piece, a model that I felt was in the style of  Christo working - using models ahead of what could be a major project. Textures were used to represent stone . Ands colour was used to help consider the emotion this might engender  Next steps were made for the Shark/Hirst mould and I tried some experiments with  a mirror. Ahead of cleaning in the mould

Howe a Yinka Shonibare token could look?   Rod provided pointers and reflected on past Projects. Warning of the effect of late change and following a steer that went against ones' desires/idea 

 This weeks' core was about how words can be used and also Rod provided an insight into the enterprise behind his book - which seemed to be quite a mixed experience for him. Artists often struggle to 'sell' ideas or themselves - imposter syndrome can loom large. Practice and input from friends will help - manage your emotions as best you can.

 In 3D i started to look at Ideas of material items that would be part of the game, Damian Hirst and Banksy - a studio to work in.. How would the Banksy player token look? A 3D version A studio space too... A wooden Studio piece  and a mould for a Shark (Damien )